The first assignment for the class was to copy a picture of a horse and a Picasso sketch of Igor Stravinsky. We turned both pictures upside down before copying them so that we could focus on just drawing lines rather than on creating a recognizable image. It sounds odd, but it worked. None of the students in the class had heard of this method before, but it seems to be a common technique for teaching drawing. Many thousands of art students have copied the upside down image of Picasso’s Stravinsky found in Betty Edwards's book, Drawing on the Right Side of the Brain.
Before I began work on my horse I would have said that horse was far beyond my drawing skills, but to my great surprise I drew one. Other horses might not welcome my horse into their herd, but most humans can immediately recognize it as a horse.
Even after finishing the horse I was still skeptical about Stravinsky. The horse had long lines and few fine details. The same cannot be said about Igor. The only way to learn to draw is by doing it, so I got to work. It took a few attempts to get started, but by the time I finished the head I was on a roll and was able to finish the sketch. I am no Picasso, but for my first Russian composer I am quite pleased with myself.

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